Now includes the original ending to Guate and That Girl, the Guild Literary Award Winner in Fiction.
Cyn Vargas’s debut explores the whims and follies of the heart. When a mother disappears in Guatemala, her daughter refuses to accept she’s gone; a divorced DMV employee falls in love during a driving lesson; a young girl shares a well-kept family secret; a bad haircut is the last straw in a crumbling marriage.
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Cyn Vargas’ short story collection, On The Way, received positive reviews from Shelf Awareness, Library Journal, Heavy Feather Review, Necessary Fiction, among others. Book accolades include: Book Scrolling’s Best Short Story Collections of All Time, Newcity Lit’s Top 5 Fiction Books by Chicago Authors, Chicago Book Review’s Favorite Books of 2015, Bustle’s 11 Short Story Collections Your Book Club Will Love, and Chicago Writers Association 2015 Book of the Year Honorable Mention.
Cyn’s prose and essays have been widely published and she received a Top 25 Finalist and Honorable Mention in two of Glimmer Train’s Short Story Award for New Writers Contests, is the recipient of the Guild Literary Complex Prose Award in Fiction, a company member of the award-winning storytelling organization 2nd story, on the Board of Directors for Hypertext Studio, twice selected as artist-in-residence at the Ragdale Foundation and is Core Faculty at StoryStudio Chicago. She earned an MFA in Creative Writing from Columbia College Chicago and is currently working on her first novel.
Cyn Vargas’ debut collection, On the Way, is marked by a sense of universal heartbreak and hope. In a dozen stories that quietly and considerately follow the lives of displaced, alienated Central Americans whose lives revolve around immigration, expatriation and escapes, Vargas shows how deeply many of the world’s upheavals affect individuals.
Vargas deftly uses a candid, unadorned voice to frame an often unkind world. Her hopeful conclusion in these tales, though, is that nobody is ever truly alone.”
In her debut collection, Vargas invests her characters with heart while ably articulating their missed connections. An American girl cannot accept her mother’s disappearance while they are visiting relatives in Guatemala; a young woman assaulted by her father after her parents’ divorce cannot forgive her mother for failing to intervene; a diffident DMV employee cannot speak out when he falls for a young woman taking a driving test. VERDICT Moving and accomplished.”
One of the more recent short story collections to have made a major impact on me, On the Way is Vargas’ big debut and I was seriously impressed. Her characters are the stories, and nearly all of the stories follow some version of a loss or gain in life. Touching on those moments in life when you wish to act out but choose to stay in the shadows, this short collection of short stories is a perfect fit for any book club.”
In this debut collection, Vargas manages to strip human connection down to its messy, infuriating, and ultimately beautiful core. With authentic prose, she straps relationships—familial, friendly, romantic, sexual—to chairs and shines on them a bright light, breaking each down with a calm, introspective interrogation until they reveal their secrets. Every story digs deep into what it means to be tethered to someone else in an honest, unrelenting way that will leave readers both squirming and desperately needing more.”
On the Way is a group of stories that are often about loss, regret, and unrequited feelings. What almost every story demonstrates is the moment in a character’s life beyond which everything will have to change. However, one thing Vargas is willing to show—which many other writers are not—is the painful, often boundless stretch of time between the moment of drama and its distant resonance: her stories echo Alice Munro’s as they leapfrog months, even years, using nothing more than a paragraph break.”
Her language feels like a colorful swirl, whether it illustrates sunny Guatemala or gritty Chicago. Her writing veers between brusque and elaborate sentences, third and first person, but never feels prescribed, always appropriate and real. She’s got, quite simply, a way with words.”
These stories are complex and full-bodied, heady with sensual details and rich with character. Vargas’ writing style is on lockdown, and her exceptional prose will leave readers of all ages thoroughly satisfied.”
Cyn Vargas has the ability to capture dreamily-fleeting moments other writers overlook. Cyn’s debut collection showcases her sharp humor and keen observations. The stories explore men and women, parents and children, immigrants, abuse, and the struggles of first-generation Americans. Her stories shift elegantly from humorous to gut-wrenching.”
The prose in Cyn Vargas’s debut collection, On the Way, has a casual, unforced power. Vargas is a writer capable of sketching out a setting in a few short sentences, and this skill with compression allows her to present a much wider array of fictional worlds than one might expect from such a slim volume.”
The first word that came to mind after reading this collection was graceful. Cyn Vargas puts the reader in an immediate state of self-reflection with her stories. If you can stand some self-reflection on loneliness, childhood, marriage, and family secrets, then this book will not disappoint you.”
The narrators of Cyn Vargas’s stories tell quiet, deceptively simple accounts of loss, family mysteries, and their earned understanding of their experiences. The stories in On the Way are simple in language and prose style and complex in their emotional freight… Like the balance of the stories, the reader is on sure footing from the first paragraphs. A story map is laid out, and even if we don’t know the path we will follow, the territory and the perspective are well defined. No person is just one thing, Vargas seems to say. We seem to be this, but then we learn more, and discover we are something elseinstead. Each narrator has a story they know to tell, but a second story bleeds through, a story that speaks of darkness, fear, compassion, or courage, a story that reveals itself in the act of telling.”
First: I flat-out love this book. I do. Second: I love that Cyn Vargas is in the world to have written this book. She’s a mischievously good writer who lures you in with her humor and then breaks your heart in these generous and compelling stories about good people who are often haunted by what’s missing in their lives. Third: If you are reading this, start reaching for your credit card. I want you to buy this book. It’ll be the best decision you’ve made in a long, long time. Trust me.”
Cyn Vargas brings her readers a whole world of unforgettable women, old and young, tough andgetting tougher. Her narrators must continually negotiate with the tragedy, cruelty, and sweetness oftheir ever-changing lives, against the twin landscapes of America and Central America. In these fresh,sensual stories, Vargas bravely explores family, friendship and irreconcilable loss, and she will break your heart nicely.”
It’s rare for stories about childhood, friendship, the elderly, marriage, family secrets, and loneliness and longing to be told with quiet beauty and grace, but the stories in ON THE WAY accomplish just that. Cyn Vargas approaches her characters with a delicate and loving hand, always honest, sometimes angry, but never judgmental. Just like how we approach the people we love – whether we’re bound to them by blood or by choice.”
Come and join me on any of the below events, classes, or workshops. Hope to see you soon!
This 8-week workshop is designed for writers who want to create their own short story collection. Through focus on story development, voice, movement and structure, constructive feedback, and in-class writing, writers will work on drafting and revising two complete short stories and beginning a third. We will also speak about theme, size, and to overall constructing an appealing collection. Whether you already have a collection in the works or haven’t started at all, this class will help guide you.
Requirements: Come ready to work and trust the process! We will be doing a lot of in-class and outside of class writing.
Week 1: Overview of creating a short story collection; discussion on how to give and receive constructive feedback; in-class writing and readback.
Week 2: Turn in revision before class 2 to the instructor (by Sunday at 5pm CST). You will also be sharing some of your work with fellow writers and them with you. During class 2, you will receive 5-10 mins of one-on-one feedback from myself and will workshop with others in the class.
Week 3: Revising in class.
Week 4: Each writer will read part of their story to the class. A creative exercise will follow to tip off story 2.
Week 5 - Work in groups to get real time feedback. Revise in class.
Week 6: Turn in revision before class 6 to the instructor (by Sunday at 5pm CST). During class 6, you will receive 5-10 mins of one-on-one feedback from myself and will revise in class.
Week 7: Each writer will read part of their second story to the class. A creative exercise will follow to tip off story 3.
Week 8: Come to class with a full draft of story 3. Writers will read an excerpt to the class. We will discuss publication for short stories and for collections.
Optional Add-On: Mini-manuscript consultation for $55. For more in-depth feedback about your story written in class, these 30 minute consultations are being offered in week 2 (for story 1) and week 6 (for story 2). You may opt to have one or both mini consultations. (If you choose this option, the time you would have had in class for the consultation will be added to the 30-mins.)